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๐Ÿ—ฟ Kutaisi Monuments: A Guide to the City's Sculptures and Monuments

๐Ÿ—ฟ Writers, Soviet Heritage, and Urban Sculpture ยท โฑ๏ธ Half Day ยท ๐Ÿ“ Kutaisi, Imereti

๐Ÿ—ฟ What You Should Know Before Your Walk

๐Ÿ“ Location Most monuments are concentrated in the historic city centre, while others are scattered across different districts.
โœ๏ธ Literary City Eight monuments are dedicated to Georgian writers and poets.
๐Ÿ•Š๏ธ Soviet Heritage Three monuments date from the Soviet era, including a sculptural complex in the city centre.
๐Ÿ’ฐ Admission Free of charge; all monuments are located in open public spaces.
๐Ÿ’ก More than ten monuments stand within just a few blocks of each other in the historic centre, making it easy to see them all on foot in a single walk. Learn more below ๐Ÿ‘‡
Map: Kutaisi Monuments

๐Ÿงญ Who This Guide Is For

This guide is for anyone who wants to understand the stories behind Kutaisi's monuments instead of simply taking photos. It is also useful for travelers interested in how monuments to Georgian literary figures, Soviet-era sculptures, and memorials to recent history all coexist within the same city.

๐Ÿ“œ A city that remembers its writers

Kutaisi is called the literary capital of Georgia for more than just a fancy name: of the 25 monuments in this guide, eight are dedicated to writers and poets, more than any other topic. This is no coincidence, but part of the city's history: Kutaisi was the cultural center of the Imeretian Kingdom, and in the 19th and 20th centuries, it produced some of Georgia's most important national poets. Alongside these literary figures, the city boasts Soviet sculptures from a bygone era, monuments to state symbols, and memorials connected to far more recent and difficult events. Together, they form a rather honest portrait of the city: pride in culture, Soviet heritage, and the memory of loss.

โœ๏ธ Writers and poets

Almost a third of all the city's monuments are concentrated here.

โœ๏ธ Monument to Paolo Iashvili and Titian Tabidze

๐Ÿ‘ค Dedicated toPaolo Iashvili and Titsian Tabidze
๐ŸŽญ Known forPoets of the Blue Horns literary group

Monument to Paolo Iashvili and Titian Tabidze

The monument is dedicated to two poets of the Blue Horns Symbolist movement, one of the most significant literary movements in Georgia in the early 20th century. Both poets were later subjected to repression: Titian Tabidze was executed in 1937, and Paolo Iashvili committed suicide that same year after learning of his comrade's arrest. A shared monument to the two friends and comrades stands in the historic center of the city, where both once lived and worked.


โœ๏ธ Monument to Shota Rustaveli

๐Ÿ‘ค Dedicated toShota Rustaveli
๐Ÿ“– Best known asAuthor of The Knight in the Panther's Skin

Shota's springs

The monument is dedicated to Shota Rustaveli, the author of the 12th-century Georgian epic poem "The Knight in the Panther's Skin." Even if you haven't read the poem, you'll encounter Rustaveli's name everywhere in Georgiaโ€”main streets, theaters, and metro stations are named after him. Many tourists stop here specifically to take a photo by the monument. The monument is popularly known as "Shota's Springs"; there's a small spring nearby, hence the unofficial name.


โœ๏ธ Sculpture by Boris Gaponov

๐Ÿ‘ค Dedicated toBoris Gaponov
๐Ÿ“– Best known asTranslator of The Knight in the Panther's Skin into Hebrew

Boris Gaponov Statue

The seated sculpture is dedicated to Boris Gaponov, who translated Rustaveli's poem "The Knight in the Panther's Skin" into Hebrew, for which he received the Israel State Prize in 1967โ€”a rare case of a Soviet translator receiving such recognition abroad during the height of the Cold War. The sculpture is life-size, making it a popular spot for tourists to take photos next to it. Many initially mistake the figure for an ordinary person sitting on a bench.


โœ๏ธ Monument to Akaki Tsereteli

๐Ÿ‘ค Dedicated toAkaki Tsereteli
๐Ÿ“– Best known asPoet, publicist, and one of the founders of modern Georgian literature

ะŸะฐะผัั‚ะฝะธะบ ะะบะฐะบะธัŽ ะฆะตั€ะตั‚ะตะปะธ

A monument to Akaki Tsereteli, a 19th-century poet and publicist, one of the leading figures of the Georgian national revival, along with Ilia Chavchavadze. If you frequently encounter Tsereteli's name on streets, squares, or museums while traveling through Georgia, it's this man we're talking about. In 1912, the first full-length Georgian documentary was made about Tsereteli's journey through Racha and Lechkhumi; it was directed by Vasili Amashukeli of Kutaisi.


Four more monuments to writers have already been discussed in separate blog articles:

Name Brief Description Article
โœ๏ธ Ilia Chavchavadze Writer and publicist, Father of the Nation, canonized by the Georgian Orthodox Church Read โ†’
โœ๏ธ Galaktion Tabidze One of Georgia's greatest 20th-century poets Read โ†’
โœ๏ธ Vazha-Pshavela Classic Georgian poet, best known for his epic poems about mountain life Read โ†’
โœ๏ธ Vladimir Mayakovsky Russian Futurist poet whose childhood was spent in Imereti Read โ†’

๐ŸŽญ Figures of art and science

Composer, historian, actor, and, presumably, photographer, this category unites people who made Kutaisi famous not through literature, but through other areas of culture and science.

๐ŸŽญ Monument to Zakharia Paliashvili

๐Ÿ‘ค Dedicated toZakaria Paliashvili
๐ŸŽต Best known asComposer and founder of Georgian classical music

Monument to Zakharia Paliashvili

A monument to Zakharia Paliashvili, a composer considered the founder of Georgian national classical music. If you hear the operas "Abesalom and Eteri" or "Daisi" in Georgia, it's likely a work by Paliashvili. His music can still be heard on the stages of Georgian theaters. The Tbilisi Opera House bears his name, and he worked extensively with Georgian folklore, incorporating folk melodies into the operatic tradition.


๐ŸŽญ Monument to Ekvtime Takaishvili

๐Ÿ‘ค Dedicated toEkvtime Takaishvili
๐Ÿ“š Known asHistorian, archaeologist, and public figure

Monument to Ekvtime Takaishvili

A monument to historian and archaeologist Ekvtime Takaishvili, who dedicated his life to the study of Georgian antiquities and, in the 1920s, saved some of the country's national cultural treasures by taking them abroad during the Sovietization of Georgia, and then secured their return to the country in 1945. It is thanks to him that many unique relics can be seen in Georgian museums today. The sculpture was created by Kutaisi sculptor Giorgi Kikvadze, the author of several city monuments featured in this guide.


๐ŸŽญ Sculpture by Ippolit Khvichiy

๐Ÿ‘ค Dedicated toIppolit Khvichia
๐ŸŽฌ Known asTheatre and film actor, best known for his role as Kukusha in Mimino

ะกะบัƒะปัŒะฟั‚ัƒั€ะฐ ะ˜ะฟะฟะพะปะธั‚ะฐ ะฅะฒะธั‡ะธั

The sculpture depicts Ippolit Khvichia, a comedic theater and film actor known as the Georgian Louis de Funes for his rare ability to make audiences laugh. He is best known to audiences outside of Georgia for his role as Kukushi, the protagonist's friend, in the cult film "Mimino." You can sit on the bench next to the actor, making the monument one of the most popular photo spots in central Kutaisi. The monument stands next to the Lado Meskhishvili Drama Theater, where Khvichia performed for many years.


๐ŸŽญ Sculpture of Ilo Khakiyashvili

Ilo Khakhiashvili

The sculpture is apparently dedicated to a Kutaisi cultural figure named Ilo. Even if the monument's identity remains uncertain, the sculpture itself has long been a recognizable feature of the city streets. There's a similarly described monument to photographer Ilo Pichkhadze in the city near an art gallery, but there's no absolute certainty that it's the same person: the names vary in different sources. It's worth double-checking on-site or with local historians.

๐Ÿ•Š๏ธ Soviet legacy

Three monuments remaining from the Soviet era show the city from an equally real, albeit more controversial side of its history.

๐Ÿ•Š๏ธ Complex of Soviet sculptures

ะšะพะผะฟะปะตะบั ัะพะฒะตั‚ัะบะธั… ัะบัƒะปัŒะฟั‚ัƒั€

This complex of sculptures, preserved from the Soviet era, is now perceived more as a monument to the era as a whole than to specific people or events. It's a rare example where the visual language of Soviet monumental art has been better preserved than in other Georgian cities. If you're interested in Soviet architecture and art, this place is worth a visit. It clearly demonstrates how public spaces were envisioned several decades ago.


๐Ÿ•Š๏ธ Bust of V.I. Kikvidze

๐Ÿ‘ค Dedicated toVasily Kikvidze
โš”๏ธ Known asRed Army commander during the Russian Civil War

ะ‘ัŽัั‚ ะ’.ะ˜. ะšะธะบะฒะธะดะทะต

The bust is dedicated to Vasily Kikvidze, a Soviet military leader during the Russian Civil War of the early 20th century, a native of Georgia, who died in 1919 in battle with the Don Army. Such monuments are rare in Georgia today. If you're interested in Soviet history, this one is worth a look. It's one of the few remaining monuments in Kutaisi directly connected to Soviet military history.


๐Ÿ•Š๏ธ Sculpture "Soviet Golden Snitch"

๐Ÿ•Š๏ธ PeriodSoviet era
๐ŸŽจ FormGolden spherical sculpture

Soviet Golden Snitch

The sculpture has recently acquired the colloquial name "Soviet Golden Snitch," due to its unofficial resemblance to the golden ball from Harry Potter, although the Soviet-era sculpture itself has no connection to the film. When viewed from a certain angle, the resemblance is truly striking. Many tourists come here specifically to replicate the image of the "flying snitch." The name has caught on among locals and tourists alike and is even used in the official city directory.


๐Ÿ›ก๏ธ National symbols and history

Both objects in this category have already been discussed in separate blog articles.
Name Brief description Article
๐Ÿ›ก๏ธ Flag of Georgia One of the country's tallest flagpoles, at the entrance to the city Read โ†’
๐Ÿ›ก๏ธ David the Builder King who united medieval Georgia Read โ†’

๐Ÿ•ฏ๏ธMemorials of memory

Three monuments dedicated to more recent and much more difficult pages of Georgian history.
Name Location Description
๐Ÿ† Kutaisi Olympic Champions Memorial ๐Ÿ“ Historic city centre Collective memorial honoring Olympic champions from Kutaisi, especially wrestlers and weightlifters.
๐Ÿ•ฏ๏ธ Memorial to Missing Persons ๐Ÿ“ Southern part of the city Commemorates people who went missing during the armed conflicts of the 1990s and early 2000s, primarily those related to Abkhazia and South Ossetia.
๐Ÿ•ฏ๏ธ Memorial to the Victims of the Civil War ๐Ÿ“ Historic city centre Dedicated to the victims of the early 1990s Georgian Civil War, which followed the collapse of the Soviet Union and the removal of President Zviad Gamsakhurdia.

All three monuments serve as a reminder that Georgia's recent history was not only about the restoration of independence, but also about internal upheavals and losses along the way.

๐ŸŽจ Urban sculpture and art objects

Two objects in this category have already been discussed in separate blog articles.
Name Brief description Article
๐ŸŽจ Colchis Fountain Bronze animal figures on the city's main square Read โ†’
๐ŸŽจ The Ishkhneli Sisters Sculptural composition inspired by a Georgian folk theme Read โ†’

๐ŸŽจ Picasso's Boy

ะ‘ะตะปั‹ะน ะผะพัั‚

This sculpture, "The Boy with Two Hats," on the railing of the White Bridge, has already been discussed in our guide to Kutaisi's bridges: read about the White Bridge and the Picasso boy in the article "The White Bridge in Kutaisi: A Pedestrian Symbol over the Turbulent Rioni." It's one of the city's most recognizable sculptures, hard to miss while strolling through the city center. Almost every tourist stops here to take a photo.


๐ŸŽจ Art installation

ะั€ั‚-ะธะฝัั‚ะฐะปะปัั†ะธั "แƒ›แƒ” โ™ก แƒฅแƒฃแƒ—แƒแƒ˜แƒกแƒ˜"

This contemporary art installation, without an official name or documented history, is another example of how Kutaisi's urban environment is being updated while preserving its historical monuments. Such objects are appearing more and more frequently in the city, gradually becoming new landmarks for strolling. If you enjoy unusual photography, be sure to stop here for a few minutes.


๐ŸŽจ Monument to the native language

ะŸะฐะผัั‚ะฝะธะบ ั€ะพะดะฝะพะผัƒ ัะทั‹ะบัƒ

The monument is dedicated to the Georgian language and one of the oldest alphabets in the world, which has been used without significant changes for over 1,500 years. Take a closer look at the letterformsโ€”they are completely unlike either Cyrillic or Latin. Many tourists first become interested in the Georgian alphabet after seeing this monument. Such monuments to language are not uncommon in post-Soviet countries, but in Kutaisi, it takes on special significance amid the abundance of nearby monuments to Georgian writers.


๐Ÿ›ฃ๏ธ Kutaisi Monuments Route

โฑ๏ธ How long it takes and the best route
1
Historic centre, 17 monuments: Start at the Colchis Fountain and David the Builder on the main square, continue to the Meskhishvili Theatre (Takaishvili, Ippolit Khvichia), then visit the monuments to Georgian writers (Tabidze, Iashvili, Tsereteli, Paliashvili), and finish at the White Bridge with the "Picasso Boy" sculpture. All sites are within walking distance, and the route takes about 1.5โ€“2 hours.
2
Western district, 4 monuments: Chavchavadze, the "Golden Snitch", Kikvidze, and the Native Language Monument are grouped together about 2โ€“2.5 km from the centre. It is around a 30-minute walk one way or a 5โ€“7 minute drive.
3
Separate locations, 4 monuments: The Flag of Georgia, the Memorial to Missing Persons, the art installation, and the Shota Rustaveli Monument are scattered across different parts of the city. Each requires a separate drive of about 15โ€“20 minutes from the city centre.

๐Ÿ’ก If your time is limited, exploring the historic centre is enough to see more than half of Kutaisi's monuments. To visit all 25, plan for about half a day and use a car.

Map: Kutaisi Monuments Route

๐Ÿ Why go see the monuments of Kutaisi

Kutaisi's monuments act as a kind of history textbook without a single line: writers showcase the city's cultural pride, Soviet sculptures recall the decades of the USSR, and memorials speak candidly of the losses of the last thirty years. If time is limited, the historic center covers more than ten monuments in a single walk, and the rest are worth seeing en route to other city attractions.

โ„น๏ธ Information on the condition of monuments is current at the time of publication. Please verify details on site.
๐Ÿ—จ๏ธ Now it's your turn

Which monument in Kutaisi surprised you the most? The "Soviet Golden Snitch," the Native Language Monument, or perhaps one of the literary monuments in the historic center? Share your thoughts in the commentsโ€”we read every one of them โค๏ธ

โ“ Frequently Asked Questions

๐Ÿค” How many monuments are there in Kutaisi?

๐Ÿ’ฌ This guide features 25 monuments and sculptures, from literary monuments to Soviet heritage and memorials. This is not an exhaustive list of all the city's memorial sites, but it does cover the most notable ones.

๐Ÿค” Why are there so many monuments to writers in Kutaisi?

๐Ÿ’ฌ The city was historically the cultural center of the Kingdom of Imereti and gave Georgia several key poets and writers of the 19th and 20th centuries, including Ilia Chavchavadze, Akaki Tsereteli, and Galaktion Tabidze. Eight of the 25 monuments in this guide are dedicated to literary figures.

๐Ÿค” What is the "Soviet Golden Snitch"?

๐Ÿ’ฌ This is the unofficial nickname for the golden, spherical sculpture from the Soviet era, which has since been given due to its resemblance to the ball from "Harry Potter." The sculpture has no connection to the book or film itself.

๐Ÿค” Is it possible to walk around all the monuments?

๐Ÿ’ฌ More than ten monuments stand in the historic center and can easily be walked around in one go. The rest, including the Flag of Georgia and the Monument to the Missing, are further away and require a car.

๐Ÿค” Who is the designer of several monuments in Kutaisi?

๐Ÿ’ฌ Kutaisi sculptor Giorgi Kikvadze created several city monuments, including sculptures of Ekvtime Takaishvili and Ippolit Khvichia.

Marina Orlova
By:

Marina Orlova

Post: Georgia Guide. Travel Expert

I help you navigate Georgia: from your first trip to relocating. I write about tourism, food, culture and life in the country โ€” honestly, in depth and from perโ€ฆ

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  • T
    Tim Wagner
    ich war mal in kutaisi und die skulpturen haben mich echt beeindruckt, vor allem die kolchische fontรคne. da steht man einfach davor und denkt รผber die geschichte nach, die da abgebildet ist. aber dann gibtโ€™s da diese sowjetischen relikte - irgendwie schrรคg, oder? es hat was von einer erinnerung an vergangene zeiten, die man nicht so recht einordnen kann. ich frag mich, wie die einheimischen darรผber denken. vielleicht sind sie da ganz anders dran als wir touris, die nur fรผr die fotos kommen. gabโ€™s sonst noch coole monumente, die man unbedingt sehen sollte?
  • S
    Sandro Gogoladze
    แƒฅแƒฃแƒ—แƒแƒ˜แƒกแƒ˜, แƒ™แƒแƒชแƒ, แƒ”แƒก แƒแƒ แƒ˜แƒก แƒฅแƒแƒšแƒแƒฅแƒ˜, แƒ แƒแƒ›แƒšแƒ˜แƒก แƒ—แƒ˜แƒ—แƒแƒ”แƒฃแƒšแƒ˜ แƒฅแƒแƒœแƒ“แƒแƒ™แƒ”แƒ‘แƒ แƒ—แƒ˜แƒ—แƒฅแƒแƒก แƒ›แƒ—แƒ”แƒšแƒ˜ แƒ˜แƒกแƒขแƒแƒ แƒ˜แƒ แƒแƒ›แƒแƒ˜แƒฆแƒ”แƒ‘แƒก แƒกแƒแƒ™แƒฃแƒ—แƒแƒ  แƒ™แƒแƒšแƒ—แƒแƒจแƒ˜. แƒซแƒ•แƒ”แƒšแƒ˜ แƒ›แƒฌแƒ”แƒ แƒšแƒ”แƒ‘แƒ˜แƒก แƒ“แƒ แƒกแƒแƒ‘แƒญแƒแƒ—แƒ แƒ›แƒ”แƒ›แƒ™แƒ•แƒ˜แƒ“แƒ แƒ”แƒแƒ‘แƒ˜แƒก แƒจแƒ”แƒ แƒฌแƒงแƒ›แƒ แƒ˜แƒกแƒ”แƒ— แƒแƒ–แƒ แƒ”แƒ‘แƒก แƒ’แƒแƒฌแƒ•แƒ“แƒแƒ•แƒก, แƒ แƒแƒ› แƒ’แƒ’แƒแƒœแƒ˜แƒ, แƒ—แƒ˜แƒ—แƒฅแƒแƒก แƒแƒ“แƒ’แƒ˜แƒšแƒ”แƒ‘แƒ˜ แƒกแƒแƒฃแƒ‘แƒ แƒแƒ‘แƒ”แƒœ! แƒซแƒ”แƒ’แƒšแƒ”แƒ‘แƒ˜ แƒ˜แƒกแƒ”แƒ—แƒ˜ แƒฏแƒแƒ“แƒแƒกแƒœแƒฃแƒ แƒ˜ แƒซแƒแƒšแƒ˜แƒ— แƒฃแƒฆแƒ แƒ”แƒ‘แƒก, แƒ แƒแƒ› แƒฅแƒฃแƒ—แƒแƒ˜แƒกแƒ–แƒ” แƒ›แƒฎแƒแƒšแƒแƒ“ แƒ˜แƒ› แƒจแƒ”แƒ’แƒ แƒซแƒœแƒ”แƒ‘แƒ˜แƒ— แƒ“แƒแƒ‘แƒ แƒฃแƒœแƒ“แƒ”แƒ‘แƒ˜, แƒ—แƒ˜แƒ—แƒฅแƒแƒก แƒกแƒฌแƒแƒ แƒ˜ แƒแƒ แƒฉแƒ”แƒ•แƒแƒœแƒ˜ แƒ’แƒแƒแƒ™แƒ”แƒ—แƒ”. แƒ™แƒแƒšแƒฎแƒ”แƒ—แƒ˜แƒก แƒจแƒแƒ“แƒ แƒ”แƒ•แƒœแƒ˜แƒก แƒกแƒ˜แƒšแƒแƒ›แƒแƒ–แƒ” แƒ™แƒ˜ แƒแƒจแƒ™แƒแƒ แƒแƒ“ แƒฌแƒแƒ›แƒงแƒ•แƒแƒœแƒ˜ แƒกแƒ แƒ”แƒกแƒ”แƒ‘แƒก แƒ›แƒญแƒ˜แƒ“แƒ แƒแƒ“ แƒ’แƒ•แƒฎแƒ•แƒ“แƒ”แƒ‘แƒ; แƒฃแƒ‘แƒ แƒแƒšแƒแƒ“ แƒ›แƒแƒ’แƒแƒ แƒ˜ แƒ แƒแƒ› แƒแƒ แƒ˜แƒก! แƒ”แƒก แƒงแƒ•แƒ”แƒšแƒแƒคแƒ”แƒ แƒ˜ แƒ”แƒ แƒ—แƒแƒ“ แƒฅแƒ›แƒœแƒ˜แƒก แƒฃแƒชแƒœแƒแƒฃแƒ , แƒ›แƒแƒ’แƒ แƒแƒ› แƒ—แƒแƒœ แƒ–แƒฆแƒแƒžแƒ แƒฃแƒš แƒแƒขแƒ›แƒแƒกแƒคแƒ”แƒ แƒแƒก, แƒกแƒแƒ“แƒแƒช แƒ—แƒ˜แƒ—แƒแƒ”แƒฃแƒšแƒ˜ แƒœแƒแƒ‘แƒ˜แƒฏแƒ˜ แƒ—แƒ˜แƒ—แƒฅแƒแƒก แƒแƒฉแƒ”แƒœแƒก แƒกแƒ˜แƒฉแƒฃแƒ›แƒ˜แƒก แƒฎแƒ›แƒ. แƒ›แƒ˜แƒงแƒ•แƒแƒ แƒก แƒฅแƒฃแƒ—แƒแƒ˜แƒกแƒ˜ แƒงแƒแƒ•แƒ”แƒšแƒ˜ แƒ›แƒ˜แƒกแƒ˜แƒ—!
  • M
    Maka Lomidze
    แƒกแƒฎแƒ•แƒแƒ“แƒแƒกแƒฎแƒ•แƒ แƒ“แƒ แƒแƒก, แƒ แƒแƒชแƒ แƒฅแƒฃแƒ—แƒแƒ˜แƒกแƒจแƒ˜ แƒ’แƒแƒ•แƒ“แƒ˜แƒ•แƒแƒ , แƒ•แƒ’แƒ แƒซแƒœแƒแƒ‘, แƒ แƒแƒ› แƒฅแƒแƒšแƒแƒฅแƒ˜ แƒกแƒแƒ™แƒฃแƒ—แƒแƒ  แƒ˜แƒกแƒขแƒแƒ แƒ˜แƒแƒก แƒ›แƒกแƒฃแƒ‘แƒฃแƒฅแƒแƒ“ แƒงแƒ•แƒ”แƒ‘แƒ. แƒงแƒแƒ•แƒ”แƒšแƒ—แƒ•แƒ˜แƒก แƒ›แƒ–แƒ˜แƒก แƒฅแƒ•แƒ”แƒจ แƒ•แƒฉแƒ”แƒ แƒ“แƒ”แƒ‘แƒ˜ แƒ›แƒ”แƒ›แƒแƒ แƒ˜แƒแƒšแƒ”แƒ‘แƒ—แƒแƒœ แƒ“แƒ แƒ›แƒ’แƒแƒœแƒ˜แƒ, แƒ แƒแƒ› แƒ˜แƒกแƒ˜แƒœแƒ˜ แƒกแƒฃแƒœแƒ—แƒฅแƒแƒ•แƒ”แƒœ, แƒกแƒแƒฃแƒ‘แƒ แƒแƒ‘แƒ”แƒœ. แƒงแƒ•แƒ”แƒšแƒแƒ–แƒ” แƒ™แƒแƒ แƒ’แƒแƒ“ แƒ›แƒแƒฎแƒกแƒแƒ•แƒก แƒ“แƒ”แƒ“แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒ›แƒ”แƒงแƒ•แƒแƒ•แƒ˜แƒšแƒ”แƒ“ แƒ›แƒงแƒแƒ•แƒ“แƒ, แƒ›แƒแƒกแƒ—แƒแƒœ แƒ”แƒ แƒ—แƒแƒ“ แƒ•แƒแƒ—แƒ•แƒแƒšแƒ˜แƒ”แƒ แƒ”แƒ‘แƒ“แƒ˜แƒ— แƒฅแƒแƒœแƒ“แƒแƒ™แƒ”แƒ‘แƒ”แƒ‘แƒก. แƒ›แƒ˜แƒกแƒ˜ แƒ™แƒแƒ›แƒ”แƒœแƒขแƒแƒ แƒ”แƒ‘แƒ˜ แƒงแƒแƒ•แƒ”แƒšแƒ—แƒ•แƒ˜แƒก แƒ›แƒ˜แƒกแƒ“แƒ˜แƒ“แƒ แƒฉแƒ”แƒ›แƒก แƒ’แƒฃแƒšแƒก. แƒ›แƒแƒ’แƒแƒšแƒ˜แƒ—แƒแƒ“, แƒ™แƒแƒšแƒฎแƒ”แƒ—แƒ˜แƒก แƒจแƒแƒ“แƒ แƒ”แƒ•แƒแƒœแƒ˜ แƒ˜แƒงแƒ แƒฉแƒ•แƒ”แƒœแƒ˜ แƒกแƒแƒงแƒ•แƒแƒ แƒ”แƒšแƒ˜ แƒแƒ“แƒ’แƒ˜แƒšแƒ˜, แƒกแƒแƒ“แƒแƒช แƒ‘แƒแƒšแƒ แƒจแƒ”แƒ›แƒแƒ“แƒ’แƒแƒ›แƒแƒ–แƒ” แƒ•แƒœแƒแƒฎแƒ”แƒ—, แƒ แƒแƒ’แƒแƒ  แƒ˜แƒงแƒ แƒ“แƒแƒ’แƒ“แƒ”แƒ‘แƒฃแƒšแƒ˜ แƒฏแƒ”แƒ  แƒ™แƒ˜แƒ“แƒ”แƒ• แƒงแƒ•แƒ˜แƒ—แƒ”แƒšแƒ˜ แƒคแƒแƒ—แƒšแƒ”แƒ‘แƒ˜, แƒ—แƒ˜แƒ—แƒฅแƒแƒก แƒ˜แƒกแƒขแƒแƒ แƒ˜แƒ”แƒ‘แƒ˜ แƒ’แƒแƒ“แƒแƒคแƒแƒ แƒแƒ•แƒ“แƒ แƒฌแƒงแƒแƒšแƒก. แƒงแƒแƒ•แƒ”แƒš แƒฏแƒ”แƒ แƒ–แƒ” แƒ”แƒ แƒ—แƒกแƒ แƒ“แƒ แƒ˜แƒ›แƒแƒ•แƒ”แƒก แƒ•แƒแƒ›แƒ‘แƒแƒ‘แƒ—: แƒ แƒ แƒกแƒแƒกแƒฌแƒแƒฃแƒšแƒ”แƒ‘แƒ˜แƒช แƒฉแƒแƒ˜แƒ“แƒ˜แƒœแƒ แƒแƒ› แƒฅแƒแƒšแƒแƒฅแƒ›แƒ. แƒ’แƒ แƒซแƒœแƒแƒ‘แƒ แƒ›แƒแƒฅแƒ•แƒก, แƒ แƒแƒ› แƒฅแƒฃแƒ—แƒแƒ˜แƒกแƒ˜ แƒ—แƒ˜แƒ—แƒฅแƒแƒก แƒฆแƒ˜แƒ›แƒ˜แƒš แƒ”แƒžแƒแƒ แƒ”แƒ‘แƒ, แƒ“แƒ แƒแƒ› แƒฆแƒ˜แƒ›แƒ˜แƒšแƒก แƒฉแƒ•แƒ”แƒœแƒช แƒฃแƒœแƒ“แƒ แƒ“แƒแƒ•แƒฃแƒ›แƒแƒขแƒแƒ— แƒฉแƒ•แƒ”แƒœแƒ˜ แƒกแƒ˜แƒงแƒ•แƒแƒ แƒฃแƒšแƒ˜แƒ—.
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    Matteo Esposito
    Camminando per Kutaisi, non puoi non lasciarti rapire dalle statue che raccontano storie dimenticate e sogni spezzati. Cโ€™รจ qualcosa di magico nel Colchida Fountain, lโ€™acqua che danza mentre i chilometri di storia scorrono davanti ai tuoi occhi. Ti fa pensare, davvero, a cosa rappresenti tutto questo. Un mix di bellezza e nostalgia, con i monumenti sovietici che, in un certo senso, si stagliano come testimoni silenziosi di un passato complesso. Il contrasto ti conquista, i volantini colorati di vita intorno, ma quelle scultureโ€ฆ oh, come raccontano. Ogni angolo ha unโ€™anima e sentirla vibrare รจ un'esperienza da non perdere.๐Ÿ”ฅ๐Ÿคฉ
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    Antonio Rossi
    C'รจ qualcosa di strano nel modo in cui Kutaisi celebra il suo passato. Le sculture, spesso imponenti, sembrano parlare, ma cosa dicono davvero? Mi chiedo, quanto di tutto questo รจ solo una facciata per mascherare le crepe del presente? Il Colchis Fountain รจ affascinante, certo, ma non รจ un po' surreale vederlo circondato da un ambiente cosรฌ... complicato? Non riesco a togliermi dalla testa l'immagine di turisti che scattano foto davanti a monumenti che raccontano storie di un'epoca, mentre non notano le realtร  piรน dure che li circondano. E i memoriali? Sono davvero un tributo o solo un modo per dimenticare il peso della storia? Se dovessi visitare, quale monumento merita di essere visto per comprendere davvero il senso della cittร ?