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Kvelatsminda in Gurjaani: Georgia’s Only Two-Domed Church

The Gurdjaani Church of the Most Holy Theotokos (Kvelatsminda) is a unique monument of ecclesiastical architecture, housing the only two-domed basilica in Georgia, built in the 8th-9th centuries.

The church is located in Katekhia, specifically in the town of Gurdjaani – a recognized center of Georgian winemaking and undoubtedly home to some of the most beautiful places in Georgia.

History

This architectural monument of the Georgian Orthodox Church, located near the village of Vachnadziani, is approximately eight kilometers away.

In the 6th-7th centuries, the monastery comprised a three-nave basilica. Unfortunately, one section was damaged by a landslide, but some fragments of the structure can still be found. At the end of the 8th century, the domed Church of All Saints was built of stone and brick and is an example of transitional Georgian medieval architecture.

Kvelatsminda-Gurjaani

The Legend of the Gurdjaani Icon of the Most Holy Theotokos

Georgia's landmarks boast rich histories and unusual, and sometimes astonishing, legends. The Gurdjaani (Kvelatsminda) Icon of the Most Holy Theotokos is no exception.

There is a legend about the miraculous icon of the Iveron Mother of God, which is still venerated and kept in the church.

The central part of the icon is occupied by a painted image of the Mother of God with the Child, framed in a gilded frame. This is the source of the legend. One day in the autumn of 1615, during Shah Abbas's raids in Katekh against the Kartli and Kakheti kingdoms,... The abbot of the monastery, Father John, gathered the entire monastic brotherhood and decided not to leave the monastery. He hid all the relics, temple relics, icons, and church items in a secret room located below the church to prevent the monastery from being looted and destroyed.

That same night, an image of the Most Holy Theotokos appeared to Father John in a dream and told him to seal the icon in a column in the monastery of martyrs, located in the Church of St. George, which was located approximately 1-2 km from the Monastery of All Saints. The next morning, Father John told the monks of the Mother of God's will and hid the icon in the column.

However, this did not save the villages and monasteries from the attacks of Shah Abbas. After his invasion, many settlements were plundered, monasteries were destroyed, including the Church of All Saints and Martyrs, and the monks were killed. All religious services ceased. Only 200 years later, a small brotherhood of monks from the Kakhta Uban monastery, together with Abbot Gabriel, began to restore theological life in the deserted church.

Later, they learned of the lost icon of the Mother of God and began searching for it, but their search was unsuccessful. Then, unexpectedly, a miracle occurred: the Almighty appeared to Abbot Gabriel in a dream and revealed the location of the icon's hiding place.

The next day, Abbot Gabriel, along with Father Iostosti, the abbot of the Ascension Monastery Vezhin, Priest Gurjaani, and a multitude of pilgrims, set out to search for the lost relic. After opening a wall and a column, they discovered the very icon of the Mother of God that had been brought to the Kakhta Uban monasteries. Unfortunately, in 1845 the monastery was again devastated, the monks left the Stepantsminda monastery, and the icon was transferred to the Church of St. George in Gurjaana.

Kvelatsminda-Gurjaani

Architecture

The church's architectural plan is complex, encompassing both single- and two-story sections composed of various materials. The exterior walls, the apsis (a semicircular extension), the side walls, and the chamber are composed of cut cobblestones. The interior walls, vault, and domes are constructed of bricks of various shapes, ranging from simple squares to more intricate designs. The domes are covered with gutter-shaped tiles.

The church itself is nestled amidst a broadleaf forest, which surrounds it and creates an atmosphere of tranquility, peace, and oneness with nature.

Inside the church is an iconostasis, softly illuminated by burning candles. The church building is divided into three sections, the central, elevated section of which can be divided into three quadrants, each containing a dome supported by a trompe-l'oeil (a stabilizing structure in the form of a stepped niche).

The dome itself is covered with a gable roof made of tiles that extends into the apse. The western dome is located slightly higher and is wider in shape than the eastern one.

Gurjaan-Kvelatsminda

The church's interior is an arched structure formed by stepped tiers of arches. The altar apse occupies a raised position but does not stand out from the overall church ensemble. The deacon's office and entrance gate are located to the south.

The church can be entered from the south and west sides. A rectangular narthex, also located to the west, communicates with the main church building through a narrow wooden door. It also leads to the second floor, which overlooks the terrace.

The main façade is the eastern one, decorated with arches and a cross, immediately attracting passersby, as if welcoming them. Along the arch is a carved window belonging to the deacon's office.

The southern façade is faced with rounded cobblestones. The entrance to the first floor is a wide carved door, above which is a yellow cross framed by an arch. The northern façade is similar to the southern one, but there is no entrance to the temple. However, from inside, you can admire the landscape through the carved windows.

What to see in Georgia? If you appreciate authentic medieval church architecture and beautiful scenery, then the answer is clear: you definitely need to visit the Church of the Most Pure Mother of God (Kvelatsminda) of Gurdjaani.

Daria Kharchenko
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Daria Kharchenko

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26 comments


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  • J
    John Brown
    I stumbled upon this article about the Kvelatsminda church, and honestly, it’s hard not to feel a mix of awe and skepticism. A two-domed basilica from the 8th or 9th century? That’s impressive, don’t get me wrong, but you can’t help but wonder what kind of tales have been spun around it over the centuries. That miraculous icon story feels like it could have come straight out of a movie script. Hidden during an invasion, found centuries later? It sounds cinematic. But still, what’s the actual evidence behind this miracle? It makes you curious about how these legends evolve and why we cling to them. Gurjaani, with its wine and beauty, adds to the allure, yet I can’t shake off this nagging feeling that sometimes the past is dressed up a bit too fancifully for tourists. Who knows, maybe the truth is just as fascinating, but without the glitter.
  • C
    Carlos Martinez
    la iglesia de kvelatsminda siempre me ha fascinado. hay algo casi mágico en esos dos ábsides que te miran desde el pasado. recuerdo la primera vez que visité gurjaani; el aire, el vino, la historia… me sentí como si el tiempo se hubiera detenido. la leyenda de la icono de la madre de dios, escondida y redescubierta, es tan intensa que a veces creo que aún se pueden sentir sus ecos en las paredes. y no puedo evitar pensar en la conexión con la tierra del vino, es como si cada sorbo contara una historia. es un lugar que invita a reflexionar sobre lo que realmente importa: la fe, la comunidad, y esas pequeñas maravillas que se esconden en cada rincón. quiero volver.
  • M
    Maximo
    Статья про Gurjaan Most Pure Kvelatsminda Mother of God — отличное сочетание подробного описания и чётко расставленных акцентов на том, что здесь действительно стоит увидеть. Из всех храмов, о которых я читал в грузинских гидах, это место выделяется своим архитектурным стилем и религиозной важностью, и автор материала замечательно подчёркивает эти особенности.
    Мне особенно понравилась структура статьи: сначала общее впечатление от ансамбля, затем исторические аспекты и тонкие детали, которые могут быть упущены при беглом взгляде. Такой подход помогает прочувствовать, почему именно этот храм заслуживает отдельного внимания, а не просто добавления в список достопримечательностей.

    Кроме того, полезно, что материал содержит советы для планирования визита — это особенно ценно, когда хочется посетить место с пониманием контекста и не упустить главное.

    Спасибо Madloba за такой серьёзный разбор — он делает выбор маршрута намного увереннее. Как вы считаете, стоит ли посещать этот храм в первой половине дня, чтобы прочувствовать его атмосферу лучше, или вечерние часы добавляют ему особого настроения?
  • M
    MikhailV23d
    Как сохранялись иконы в таких условиях? Интересно, использовались ли какие-то специальные методы для защиты от влажности и вредителей?
  • L
    Levter
    ლინდა, მართლაც საინტერესოა, როგორ ახერხებდნენ შუა საუკუნეებში ამგვარი უნიკალური არქიტექტურის შექმნას. ამ სტილში ორი გუმბათი იშვიათია და საინტერესო იქნება იმის გაგება, თუ რატომ გადაწყვიტეს მასშტაბურობის განსხვავება აღმოსავლურ და დასავლურ გუმბათებს შორის. ასევე, რას ფიქრობთ, რამდენად არის შესაძლებელი, რომ 1615 წელს დამალული ხატი თანამედროვე ტექნოლოგიებით ისევ მყისიერად იქნას აღმოჩენილი?
  • W
    Wes
    How did the architectural style of the double-domed basilica in Georgia evolve over time, and how does it compare to other medieval structures in the region? Is there any opportunity to see the Iverian Virgin icon at its current location in the church of St. George in Gurjaani?
  • О
    Оля Шевченко
    Какая интересная архитектурная деталь — двухкупольная структура. Такой уникальный элемент для Грузии! Оказывается, даже в постройках средневековья можно увидеть переходные стили. Интересно было узнать об истории иконы Иверской Богоматери и как её путь связан с монастырём. Спасибо за детализацию о материалах и архитектурных особенностях.
  • M
    Mariami Kalandadze
    გურჯაანის ორ-გუმბათიანი ბაზილიკა ისტორიის უნიკალური მაგალითია, სადაც აღმოსავლეთის და დასავლეთის არქიტექტურული სტილები შთამბეჭდავად ერთიანდებიან.
  • M
    Morgan Truscott
    Seeing the combination of medieval transitional architecture with its unique two-dome design and the intriguing history of the miraculous icon creates a fascinating glimpse into Georgia's spiritual and cultural past.
  • S
    Samantha Stewart
    It's fascinating to learn about the unique two-domed basilica from the 8th–9th centuries. I'm curious, how did they manage to preserve the building materials, especially the brick domes, for so many centuries? Are there any guided tours that explain the architectural details and the story of the miraculous icon?
  • M
    Maka_Sky
    როგორ მოხდა ყოველმხრივ უნიკალური ბერძნული ღვთისმშობლის ხატის გადამალვა და აღმოჩენა? და თუ შესაძლებელია, დღეს შეიძლება თუ არა ხატის ნახვა გურჯაანში?
  • С
    Соня
    Интересно, как именно были обнаружены и восстановлены иконы из колонны спустя столько лет? Есть ли информация о современном состоянии базилики после всех исторических событий и природных катаклизмов?
  • მ
    მარია მამამიშვილი
    როგორ შეძლეს ორი გუმბათის განსხვავებული ზომის არჩევა და როგორ აისახა ეს არქიტექტურის ესთეტიკაში? ასევე, ცნობილია თუ არა, თუ რატომ დაბრუნდა ივერიის ღვთისმშობლის ხატი მონასტერში ორი საუკუნის შემდეგ? ძალიან საინტერესო იქნებოდა ამ საკითხებზე მეტი ინფორმაციის მიღება.
  • H
    Harper Lopez
    I'm fascinated by the unique architectural style of the two-domed basilica, and I wonder if there's a way to see the miraculous icon of the Virgin Mary that was hidden in the column.
  • К
    Катя Тихоновец
    Любопытно, почему икону Иверской Богоматери спустя 200 лет решили вернуть в монастырь? Какой исторический контекст мог повлиять на это решение и было ли это связано с восстановлением или реконструкцией базилики?
  • G
    Gia
    What an intriguing piece of architecture! I’m curious about the specific techniques used to construct the two distinct domes, especially given the challenges of using both cobblestone and brick. Is there any detailed information available on how these materials were sourced and utilized in the 8th-9th centuries for such an enduring structure?
  • О
    Олеся Писарева
    Не совсем понятно, как именно икона смогла находиться в колонне все эти годы. Интересно было бы узнать больше деталей об этом. Может быть, существуют какие-то исторические документы или свидетельства, подтверждающие этот факт?
  • M
    Maksim Tikhonov
    Кто сейчас занимается сохранением и восстановлением этого уникального архитектурного памятника?
  • T
    Teona
    ვისურვებდით მეტი ინფორმაცია იმ პერიოდის არქიტექტურულ სტილზე, როცა ეს უნიკალური ორგუმბათიანი ბაზილიკა აშენდა? ვეძებ მასალას, რომელიც გამორჩეული არქიტექტურული ნაგებობების ისტორიულ კონტექსტში გამხვდება და დიდი მნიშვნელობა ექნება ჩემი სტატიისთვის.
  • T
    Teona
    ვისურვებდით მეტი ინფორმაცია იმ პერიოდის არქიტექტურულ სტილზე, როცა ეს უნიკალური ორგუმბათიანი ბაზილიკა აშენდა? ვეძებ მასალას, რომელიც გამორჩეული არქიტექტურული ნაგებობების ისტორიულ კონტექსტში გამხვდება და დიდი მნიშვნელობა ექნება ჩემი სტატიისთვის.
  • T
    Tamsin Radcliffe
    Is it accurate to say that the Gurjaani Virgin Mary icon was hidden by Igumen Ioan in 1615 and then returned to the monastery around 200 years later? How can we be sure about this timeline and the icon's journey to Saint George's church in Gurjaani in 1845? Just wondering if there's concrete historical evidence or if this is more of a legend passed down through stories.
  • Ф
    Федор
    Интересно, как удачно сочетаются в одном храме элементы разных веков и архитектурных стилей, при этом сохраняя уникальность и историческую ценность.
  • О
    Олег Воронов
    Побывал в этом удивительном месте и был впечатлен. Два купола действительно создают уникальную атмосферу, а кирпичные своды и декор поражают своим мастерством. Интересно, как гармонично сочетается в архитектуре базилики древность и переходный стиль средневековья. Особенно впечатлила история с иконой Иверской Богоматери, спрятанной игуменом Иоаном. Такие места заставляют задуматься о времени и наследии.
  • G
    G_elel
    Мне ещё не довелось побывать в храме Гурджаанской Пречистой Богородицы, но после прочтения этого поста я точно хочу посетить это уникальное место! Архитектура храма просто завораживает — двухкупольная базилика, которая сохранила свою уникальность с VIII века, выглядит потрясающе. А история с чудотворной иконой Божией Матери Иверской просто невероятная — столько событий и легенд вокруг этого святого места. Храм в окружении леса и с такими древними традициями обещает быть не только архитектурным, но и духовным открытием для каждого, кто туда приедет.
  • d
    dacascas
    Большой храм и довольно интересная архитектура. Если так смотреть, то он чем-то напоминает крепость, а не церковь. Осталось только ров вокруг вырыть, и заполнить его водой, да ещё мост перед входом добавить. И получится что-то вроде неприступного гарнизона. Но боюсь даже это не спасло бы от набегов и разграблений.
  • В
    Влада
    Не знала что столь почитаемая на Руси икона Иверской Божией Матери, её Грузинский список находится в таком удивительном и невероятно красивом храме. Конечно историю иконы все знают, списки с неё находятся во многих храмах. Стоит посетить это, и историческое, и туристическое, и паломническое место. Обязательно поищу видео паломников или туристов побывавших здесь. Очень всё завлекательно описано, и легенда об иконе, и история храма, и архитектура. Фотографии впечатляющие, просто читая словно поднимаешься вслед за автором на галерею на втором этаже или проходишь низкими сводами, дотрагиваешься до камней вбирающих тепло солнечной Грузии. (Есть несколько прекрасных и познавательных видео. Посмотрела. Чудо, настоящее чудо, уникальный храм)