N’UOVO is a notable sculpture created by the Georgian artist Vazha Mikaberidze, located in Tbilisi. This artwork is part of a broader body of work that reflects the artist's engagement with contemporary themes and public space. Mikaberidze is recognized for his innovative approach to sculpture, often integrating elements of the environment and community into his pieces. Visitors to N’UOVO can expect to encounter a thought-provoking work of art that invites reflection on the relationship between sculpture and its surroundings. The piece may serve as a focal point for discussions about modern art in Tbilisi, as well as the role of public art in urban settings. Additionally, those interested in the local art scene may appreciate the opportunity to explore other works by Mikaberidze and similar artists throughout the city.
N’UOVO — Sculpture
- General
- Description
Similar places nearby
Places in the same category within 5 km. Distances are approximate and measured in a straight line.
-
About 100 mGiant Bicycle Monument
PQ3R+QJC, Rose Revolution Square, Tbilisi -
About 200 mShota Rustaveli Monument
Vere district, Tbilisi, Georgia (at the entrance to the Rustaveli metro station) -
About 200 mMonument to Merab Mamardashvili
Shota Rustaveli Ave., 31, Tbilisi, Georgia -
About 200 mShota Rustaveli Monument
2 Mikheil Zandukeli St, Tbilisi -
About 300 mapple of love
Shota Rustaveli Ave., 27, Tbilisi, Georgia -
About 400 mTBC Clocks
PQ4R+XMG, Galaktion Tabidze Bridge, Tbilisi
- T
Н’UOVO — это современная движущаяся скульптура на площади Революции Роз. Она была создана в 2019 году итальянским художником Франческо Мори. Основная идея скульптуры — жизнь и обновление, название «новое яйцо» говорит само за себя. Скульптура движется медленно, символизируя перемены. Она стала достопримечательностью площади и привлекает посетителей, которые любят наблюдать за её плавным движением. Легко найти: она расположена прямо перед отелем Radisson Blu Iveria. Особенно хорошо смотрится на фотографиях вечером, когда огни отражаются на скульптуре.




